- “The Yellow Chair.” Counterclock 5 (March 2019).
- “The Man with the Stick.” The Shore 1 (Spring 2019).
- “Decolonization.” Storm Cellar 7.2 (2019).
- “Still Life with Calla Lillies,” “Still Life, 1937,” and “Cosmic Terror.” MORIA 2 (2018).
- “Singing Man,” “The Great Galaxy,” and “Day and Night.” Mojave Heart Review 1 (2018).
- “Mandolins and Pineapples,” “Arrangement of Objects,” and “The Burning Man.” Central American Literary Review (2018).
- “Blue Wing.” Memoir Mixtapes 4 (2018).
- “Three in the Morning.” Former Cactus 7 (2018).
- “Ode to a Roadrunner.” Weaving the Terrain: 100-Word Southwestern Poems. Ed. David Meischen and Scott Wiggerman. Dos Gatos Press, 2018. 10.
- “Nature and the Artist: The Work of Art and the Observer” and “The Phonograph.” Puerto del Sol. 53 (2018): 148-151.
- “The Coastline.” The Meadow. (2018): 22.
- “Still Life, 1954,” “Children Playing with Fire,” and “Three Women.” Habitat 3 (2018).
- “Excavations: On Richard Buckner’s The Hill.” Memoir Mixtapes 2 (2018).
- “Self-Portrait,” “The Lunar Model of Regeneration,” and “Hunter’s Moon.” Empty Mirror (2018).
- “A Podiatrist Considers the Line” and “Plumbing the Limits of Charity.” Five:2:One Magazine’s The Side Show (2107).
- “Man with Birds” and “The Astrologers of Life.” Longleaf Review 1 (2018).
- “Still Life, 1935.” Willawaw 2 (Winter 2017).
- “Lovers,” “The Pearl,” “Three Figures,” and “The Window.” The Wanderer (2107).
- “Girl with Hoop.” Rag Queen Periodical. (2017)
- “Bedside Manner” and “Solemn in the Moon Somewhere Tonight.” Moonchild Magazine. 1 (2017).
- “In Situ.” Drunk Monkeys. 2.10 (2017).
- “Community Service.” The Tishman Review. 3.3 (2017): 48-49.
- “Lovers Contemplating the Heavens.” Sonora Review. 72 (2017): 142-143.
- “Landscape,” “Dancers,” “Red Mask” and “Tormented Man.” Otoliths. 46 (2017).
- “Claustrophobia.” Sakura Review. 8 (2017): 70.
- “Woman and Bird.” The Invisible Bear. 3 (2017): 11.
- “Portrait of a Boy.” Sierra Nevada Review. 28 (2017): 53.
- “The Phantom.” Hawai’i Review. 86 (2017): 100.
- “Trembling Woman.” Hawai’i Review. 86 (2017): 101.
- “The Blue Chair.” Hawai’i Review. 86 (2017): 102.
- “Thumbing the Scale.” Hawai’i Review. 86 (2017): 103.
- “Either You Leave or You Get Lost.” Hawai’i Review. 86 (2017): 104.
- “The Shells.” The Meadow. 2017: 87.
- “The Cavalry in Oaxaca.” Coldnoon. 14 Jun. 2017.
- “Women of Tehuantepec.” Coldnoon. 14 Jun. 2017.
- “The Astronomer.” Oxidant/Engine. 2. 2017.
- “Man with Flower.” Oxidant/Engine. 2. 2017.
- “Clock and Telephone.” Penumbra. 2017: 172.
- “Muses of Painting.” Harbinger Asylum. Spring 2017: 33.
- “Heated Discussion.” The Interpreter’s House. 64(2017): 89-90.
- “Night of Mysteries.” L’Éphémère Review. 3. Jan/Feb 2016.
- “Call It.” Oblong. 3 Jan. 2017
- “Homage to Zapata.” Southern Pacific Review. Fall 2016.
- “Homage to Juarez.” Southern Pacific Review. Fall 2016.
- “The Smoker.” Southern Pacific Review. Fall 2016.
- “The Full Moon.” Avis Summer 2016. 95.
- “Exit Interview.” The California Journal of Poetics 2. 2016.
- “Three for Rufino.” Red Earth Review. July 2016.
- “When the Moon Is Ripe.” The Meadow. 2016.
- “Little Hours of the Breviary.” Spinebind 2. 2016.
- “Alice Added as an Explanation.” Spinebind 2. 2016.
- “The California Grizzly.” The Moth 25. 2016.
- “Orientation by Nightlight.” 580 Split 18. 2016.
- “Tidal Friction (The Moon Moves from Earth at the Same Speed Our Fingernails Grow).” Exposition Review I: IX Lives. 2016.
(Nominated for Best of the Net)
- “The Most Tender Part Is for Strangers.” Axolotl 9. 2016.
- “The Neonatal Unit.” Sugar House Review 12. Fall/Winter 2015.
- “In Light Does She Bathe Me.” Gold Man Review 5. 2016.
(Nominated for Pushcart Prize)
- “Stitch & Pattern, Pattern & Stitch.” Spillway 23. 2015.
- “The Saguaro Dress.” Hinchas de Poesia 16. 2015.
- “Waxing Gibbous: Coyolxauqui.” Hinchas de Poesia 16. 2015.
- “To Move in an Aimless Manner.” Hinchas de Poesia 16. 2015.
- “Bright Jawbreaker, I Do Salute You.” Concho River Review 29.1. Spring 2015.
- “Constructive Criticism.” Unsplendid 6.2. 2015.
- “Reservation with Wolves.” Unsplendid 6.2. 2015.
- “The Low Voltage of the Moon.” Unsplendid 6.2. 2015
- “The Way Out.” Timberline Review 1. 2015.
- “Beyond the Boundary of Mutable Elements.” Sierra Nevada Review 26. 2015
- “Indeterminate Unity.” El Portal 72.1. 2015.
- “Long-Lived Instrument Stations.” El Portal 72.1. 2015.
- “Daycare Call Center.” Pilgrimage 38.2. 2015.
- “Dear Sleeper.” Santa Clara Review 102.1. 2015.
- “Faculty Towers.” Levan Humanities Review 3.1. 2015.
- “In Other Words, Take My Hand.” Jab Spring 2015.
- “Salving the Tidewrack.” Empty Mirror 2015.
- “The Marketplace of Ideals.” Empty Mirror 2015.
- “Calling Thee to the Deep Woods.” Eternal Haunted Summer Summer 2015.
- “Something There Is that Has Somewhere to Go.” The Brasilisa Review 11. 2015.
- “Moon of the Long Night.” Gris-Gris 5. 2015.
- “Entrance Exam.” Gris-Gris 5. 2015.
- “Field Dressing.” Atlas and Alice 3. 2015.
- “Waning Crescent: Orpheus in L.A.” 300 Days of Sun 1.1. Spring 2014.
- “Dear Moon.” Cactus Heart 3.5. 2013.
- “The Moon Is not a Toy.” Southern Pacific Review 2014.
- “Directory Assistance, How May I Direct Your Call?” Coe Review 45. 2014.
- “Direct Address.” Temenos Spring 2014.
- “The Business End of the Sturgeon Moon.” Agave 2.2. 2014.
- “Prisoner’s Cinema.” Agave 2.2. 2014.
- “Cleaver.” Agave 2.2. 2014.
- “A Moon of Your Very Own.” Rawboned 3. 2014.
- “And Sorry I Could not Travel Both and Be One Moon.” Two Words For 2014.
- “Two Stimuli that Match in Color Despite Spectral Differences.” Fourteen Hills 19.2 2013.
- “On the Election of Our Immersion.” Catamaran Literary Reader 1.4. Fall 2013.
- “Ghost Stories.” Prick of the Spindle 2. Spring 2012.
- “Bigfoot Dreams of Home.” Eternal Haunted Summer Autumn 2012.
- “Without Monsters.” Blue Lake Review. 2012.
- “Swarm Theory.” Blue Lake Review. 2012.
- “Where the Jackalope Roam.” Pacific Review 2006-2007.
- “The Rapture, Part I.” Cranky 1.6. 2005.
- “The Rapture, Part II.” Cranky 1.6. 2005.
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